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Gilmour used the 0001 on the album’s instrumental opening track Mihalis, for a part that Gilmour called the Hank Marvin bit. On Wright vacating the studio, Gilmour moved in to Super Bear in February 1978 to record his eponymous debut solo album, with bass and drums provided by Gilmour’s old Jokers Wild band mates Rick Wills and Willie Wilson. The guitar’s first recorded discography is with Pink Floyd backing guitarist Snowy White, who laid down guitar tracks on Richard Wright’s 1978 solo album Wet Dream on the Stratocaster at Super Bear Studios in the South of France in early 1978. Although seldom seen on stage due to its rarity and value, the guitar has been used for a number of recordings and live performances, becoming readily recognizable by both fans and connoisseurs. Over the last forty years the White Stratocaster 0001 has become one of the instruments synonymous with Gilmour’s long artistic career.
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The first time I played that 0001 Strat I wanted it for its sound, Gilmour told Melody Maker’s Karl Dallas in 1981. Within a year, Taylor had resold the guitar to his employer David Gilmour, in whose possession it has remained.
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Duncan kept the 0001.īy 1977 the guitar had been sold by Duncan to Phil Taylor, guitar technician to David Gilmour. Green, refinished in the requested color. Duncan chose to preserve the originality of the 0001, giving an alternate Stratocaster body and neck to Mr. Seymour Duncan was ahead of his time in connoisseurship by recognizing the importance of such an early Stratocaster. The refinishing of solid-body electric guitars was a common practice at the time and in the mid-1970s there were few who recognized or appreciated the historical significance of the early works of Leo Fender. In 1966, the guitar came into the possession of a young guitar student, Richard Hoxie Green, who brought the instrument to the guitar workshop of Seymour Duncan in Santa Barbara, California in the early to mid-1970s for the purpose of having the instrument refinished in a different color. It is believed that the Stratocaster bearing the number 0001 was given to Rex Gallion in about 1955, while a Precision Bass, similarly appointed, was gifted to his brother Von Gallion.Īccording to the late Von Gallion, the Stratocaster left the possession of the Gallions when it was traded to a Santa Maria music store known as Sousa Music. These instruments were produced as custom presentation instruments and gifted by Leo Fender to a select group of endorsing artists who had assisted Leo Fender with the development of the Stratocaster and in building the Fender brand.
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It is traditionally believed that this Fender Stratocaster guitar, bearing the serial number 0001 on the neck plate, was one of a number of pre-production and custom appointed guitars produced by the Fender Electric Instrument Company in Fullerton, California, between 19. Without any hard edges it allowed the instrument to fit comfortably against a musician’s body, a positive attribute for any performing guitarist. The outline of the Stratocaster body incorporated a flowing and rounded edge that tapered into an undulating wave on the back and front upper edge. Rex Gallion is often credited with Leo Fender’s evolution of the Contour Body, a shape unique to the Stratocaster at the time. Rex Gallion was an active musician on the California country and western scene and, along with his brother Von, an endorser of Fender instruments and amplifiers. DAVID GILMOUR’S WHITE FENDER STRATOCASTER #0001, USED TO RECORD PINK FLOYD’S HIT SINGLE ANOTHER BRICK IN THE WALL (PART 2)įirst offered in 1954, the Fender Stratocaster was the product of a team of guitar designers and musicians who included Leo Fender, Bill Carson, George Fullerton, Freddie Tavares and Rex Gallion.